From Jason Webley’s Bandcamp page:

This was my concept record, and perhaps my most ambitious. Twelve songs in twelve keys, with recurring themes and each song written with a balancing counterpart. I brought in a huge variety of players (including Michael McQuilken, Jherek Bischoff, Reggie Watts, and Eyvand Kang.) The result is an almost schizophrenic meditation on parallels and contradictions moving from an homage to Leonard Cohen to a Bavarian drinking hall, from big-band zombie swing, to a baroque fugue. I’m not sure whether it worked, but for certain people, this is my best album. “Graveyard”, “Train Tracks” and “The Drinking Song” live here.